grim fandango remastered graphics problem

The objects, the situations, the words of the secondary characters, with which it is always possible to interact, must be mentally noted in order to have sufficient resources to continue through the levels, solving the proposed puzzles and the narrative junctions from time to time. The environments, which range from the closed places of the Calavera office to the marine depths of the ocean, passing through entire towns and disturbing forests, must be explored in their entirety to continue the adventure.

It is therefore a game where every little detail makes the difference. Grim Fandango presents itself as a solid graphic adventure, a genre that has been in hiding a lot in recent years both for market reasons and for the tastes of the new generations, little inclined to careful reflection, to details and to a system capable of proving to be so satisfying in results as (sometimes) frustrating in the attempts. Reasoning, reflection and a pinch of imagination Rest assured, however, you will not have to play for so long: for those who have never had the opportunity to try the title, 6-7 hours will be enough to complete the adventure. From who? Without revealing anything, we anticipate that it will be up to you to solve the mystery, exploring the afterlife imagined by Tim Schafer and bringing things back to their normalcy, during a four-year journey. Manuel begins to understand that things don't add up in his work and his executives when he discovers that the Number Nine ticket that belongs to Meche, who practically lived as a saint, has mysteriously disappeared. However, things are destined to change the day when a very particular soul arrives at Calavera's desk, Miss Mercedes Colomar (but you can call her Meche). Because of what he did when he was alive (which the player is not told) he will not be able to leave his job until he has paid his debt. This means selling fewer award trips, earning less… and staying longer without eternal rest! Yes, because Manuel is doing some sort of social service. The problem is that in Calavera not everything is going the right way: souls who have behaved correctly happen to him very rarely. Above all, the number nine ticket is not affordable for everyone. To shorten the route, Manuel sells them travel tickets: why walk to the Ninth Beyond, when you can take a bus, a ship or maybe even the fastest train in the other world, the Number Nine? It all depends on how the souls behaved when they were alive: if you have been bad, you will have to go on foot. The latter follows the Aztec conception of the afterlife: the souls who arrive there must face several years of journey before reaching eternal rest. It means that for work he is not a banker, but Death: he takes souls from our world and takes them to the Kingdom of the Dead. And it is a battle from which, as we shall see, it does not come out entirely victorious. The problem arises, however, for the playful production as a whole, which must necessarily face the weight of the years it leaves behind to offer itself to the modern player. Well, it would be impossible since the characters are all already dead and literally reduced to the bone. It's been 17 years since then, and Manuel Calavera (the reaper, ed) hasn't aged a day. Thus was born Grim Fandango, winner of numerous industry critics' awards and still remembered today as one of the best exponents of the genre. The second, to carry out this project with a three-dimensional graphics engine, an absolute novelty in those years. The first was to make a graphic adventure with an out of the ordinary charisma, whose main character would be a reaper of souls grappling with his personal problems and those of organized crime. It was 1998: Tim Schafer, in collaboration with Lucas Arts, came up with two brilliant ideas. The reaper is back! Version tested: PlayStation Vita, PlayStation 4.

Grim fandango remastered graphics problem